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Bush became an overnight sensation at the age of 17 and was obligated to turn in an accompanying album in short order. This she did with The Kick Inside, a collection of material she had written over the previous three years; the album reached number three and sold over a million copies in the U. Bush's second album, Lionheart, reached number six but didn't achieve anything like the sales totals or critical acclaim of its predecessor. Walking down the street, brushing arms, You're moonlight dancing.

By this time, Bush was established as one of the most challenging and eccentric artists ever to have achieved success in rock music, with a range of sounds and interests that constantly challenged listeners. I swear you'd fall like a feather if I was cruel.

ne of the most successful and popular solo female acts of the past 20 years to come out of England, Kate Bush is also one of the most unusual, with her keening vocals and unusually literate and complex body of songs. Well, it makes me long for the good times, When you were really alive. Destiny took me in her arms and told me: "You're a little lost on the fall. "Ooh," she says, "The games are still the same, I see, But they've changed the names now. " Lionhearts in the asylums, Lionhearts tossed at sea, Lionhearts who've lived their lives, like Arthur.

As a girl, Catherine Bush amused herself playing an organ in the barn behind her parents' house. A long way up in light-years, Just a pinpoint in space, In a century of planetary storms, Stranded at the moonbase, The air is getting low. Looking out at the roof-window, I've seen many strange things, From shooting stars to Stars 'n' Stripes-- Thought I'd caught a glimpse of golden wings. You fall for all the men You shouldn't fall for all at all." Ooh, I know she knows, but still I go on, Well, I'm a fool. Lionhearts in cathedrals, Lionhearts at mournings, Lionhearts in every seed-- But they're sown On the rocks, X4 Somebody I couldn't see Tied me up and put me away, Here on the rocks, Here on the rocks, Here on the rocks...

By the time she was a teenager, Bush was writing songs of her own. The air is getting low, X4 I got the vision of a big white dove. Surrender into the roses, Carmilla, Carmilla, Carmilla. Climbing up the (l)adders To slide down the adders On the rocks, X4 Joan of Arc walks into my mirror, A burning sword.

A family friend, Ricky Hopper, heard her music and arranged for a demo to be recorded, which brought Bush to the attention of Pink Floyd lead guitarist David Gilmour. I swear you'd fall like a feather if I was cruel. I've heard the creaking of the pearly gates above. I've heard the creaking of the pearly gates above. Before it's too late I must get away, But both of us know you must stay.

"Babooshka" (1980) became her first Top Five single since "Wuthering Heights," and her subsequent album Never for Ever entered the British charts at number one in September of 1980. Holding hands, they found the broom-cupboard, Where he had control as far as the fall, When his hand covered wet hair.

During this period, Bush began co-producing her own work, a decisive step toward refining her sound and also establishing her independence from her record company. She took over among furniture wax, Dust, the cloying yellow of polishing-cloth. Scares me silly, but it gets me going, Like a Romeo. There's something that sounds like a song In my garden, by the willow-- A piper: "Oohoo, ahoo, oohoo, ahoo, oohoo, ahoo, hoooo" I see him when I turn the lights down low, In my garden, wading through the pond. It sounds like a song In my garden, by the willow-- A piper: "Oohoo, ahoo, oohoo, ahoo, oohoo, ahoo, hoooo" Held in your arms in the back seat, Cruising down the main street, How can anyone have such little defense? In between the sheets, left in limbo, Covered me like the pillow-- I can hardly tell the difference.

Although 1982's The Dreaming reached number three, the single "There Goes a Tenner" failed to reach the charts, and most observers felt that Bush had lost her audience. I feel so sorry for you, Believing because they control. When he was sick, she comforted him." Oh, hush, my friend, and sleep, And cuddle to the wind. "He couldn't do it properly; The disco, the office, the pub, Had left out those details of delight. Don't even know you but I need you to love me, too. Rest and sing: "Lover oooooooh..." "Oohoo, ahoo, oohoo, ahoo, oohoo, ahoo, hoooo" I've called him by every name I know, By every name I know, But he won't answer me.

By the time Bush was 16, she had signed to EMI Records, though the company made the decision to bring her along slowly. I'm wond'ring why the big white dove Is keeping me waiting, keeping me waiting, Keeping me waiting, keeping me waiting, Keeping me waiting, keeping me waiting. As I'm being lifted Out into the--into the Spiritual boom-boom abyss. I'm wond'ring why the big white dove Is keeping me waiting, keeping me waiting, Keeping me waiting, keeping me waiting, Keeping me waiting, keeping me waiting.

She studied dance, mime, and voice, and continued writing. Looking way down below me, The worlds are all awhirl-whirly. This place waits for company.0 The air is getting low.

By 1977, she was ready to enter the recording studio and begin her formal career, which she did with an original song, "Wuthering Heights," based on material from Emily Brontë's novel.

"Wuthering Heights" rose to number one on the British charts.

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