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The chandelier weighed 2.2 tons, cost $1.3 million, and was provided by Swarovski. There was also a third chandelier made, that was equipped with electricity and lighting for the opening scene.In the transition where Christine is contemplating and moving towards engaging the coach to take her to her father's grave, the melody playing is "Beneath a Moonless Sky," a duet between Christine and the Phantom from Andrew Lloyd Webber's sequel to Phantom entitled "Love Never Dies." The sweeping camera angles during "All I Ask of You" made it necessary to shoot multiple takes of the kiss between Emmy Rossum and Patrick Wilson.
This was done by her being made up like a doll with waxy makeup on, and her standing very, very still.
At the end of the Masquerade scene, Raoul briefly enters a circular chamber full of mirrors.
This is a reference to the original Phantom of the Opera novel, in which the Phantom used the mirrored chamber as a torture chamber to drive victims insane.
In playing Christine's father in this movie, Ramin Karimloo becomes the first actor to have played all 3 of Christine's loves.
The lit candelabras that rise from the water were not done with special effects or CGI lights: the special wicks ignited when they reached the air.
This effect was done in one take and didn't work again after that.
The doll in the Phantom's lair that is supposed to resemble Emmy Rossum is not actually a wax mold. The production produced a mask of her face to use on the mannequin but when they put in the fake eyes it didn't look like her.
She suggested to stand in as the mannequin instead.
Her father in the movie version, and both Raoul and the Phantom on the stage.
Emmy Rossum (Christine Daae) is much younger than her male counterparts, both whom she kissed in the movie.
At the time of shooting, Emmy was 16, Patrick Wilson (Rauol) was 30, and Gerard Butler (The Phantom) was 34.
The instruction to "Keep your hand at the level of your eyes" is another reference from the book, in which the Phantom was adept at disposing of victims with the "Punjab lasso." Keeping one's hand at the level of one's eyes kept the Punjab lasso away from the victim's neck and was the only defense.